9 Poses in 9 Minutes

photography tips

If you never quite sure just how to pose with your partner for a great picture, or you’re a photographer looking for posing ideas, then this is the article for you! I’ve compiled a list of my go-to poses for couples, and I have a one-page freebie at the bottom for you to keep as a helpful guide! Big thanks to my favorite couple Jersey and Luis for being my models for this project (and standing in the freezing New York City winter weather to get these shots!) Now let’s dive into these poses.

Lean Toward Each Other

Position the couple so one person’s shoulder is leaning into the other person’s chest, and have the person behind wrap their arm around and lightly grab the right arm of the first person. It helps to mention to lean their heads toward each other and getting their noses close together. This cozy pose is great for a mid shot, or a close up.

Facing Each Other

This one is an easy one. Have the two look at each other while holding hands. Can be used for a wide shot or a close up, and you can play with how close they are standing to each other. One person can also wrap their hands around the other person’s neck and lean in close for a kiss (warning: it’s adorable!!)

Facing The Camera

The classic shot shows the couple fairly close together with one person wrapping their arm around the other. You can vary the hands–hands in pockets, hands straight down, or like in this shot, Jersey had her hand by her face, tucking her hair behind her ear. Do whatever feels most natural for you.

Half Looking at the Camera

This can be a great moment. Have one person look at their partner while the other person looks at the camera. This usually results in some natural smiles and laughs, because who doesn’t get excited when they spend a few seconds taking in how lovely their partner looks?! A great variation of this can be to alternate having both partners look at each other at the same time.

The Ear Whisper

Alright, now that you are warmed up and have the basic poses down, here are a few advanced level poses! This one is a great prompt I use with couples. When a couple is already fairly close to each other, I’ll tell one partner to lean in and whisper something into the other person’s ear. It’s great for capturing a candid moment, because generally one of them will say something silly, or sweet, and the other person will break out into a huge smile or laugh. If you’re not great with posed photos, I recommend a pose like this, which can help bring out your personality and feel really natural.

Arm Around The Shoulder

Have one or both partners wrap their arm around the shoulder or waist of the other person. A few variations are to have them both look at each other, at the camera, and one person looking down candidly. You can also alternate between serious expressions and smiles.

Touching Foreheads

I love this pose so much! Why? Because look at how cute it is! It’s pretty simple too: hold hands and touch foreheads. For a more intimate moment, you can have them get close and close their eyes, too. For a more playful and fun shot, tell them to smile and laugh. Leaning in for a kiss is also an easy pose to go to from this one!

Walking

This can be another great natural moment between the two. You can walk toward the camera, hold hands while walking away from the camera, and even start walking away and then turn around and look back at the camera. I usually tell my couples to walk in “slow motion” so they’re relaxed and not rushed. In terms of eye contact, they can look forward, at each other, down and around. I usually tell them not to look directly at the camera, so the shot comes out looking a little more like a candid moment.

The Finale: Kiss and Foot Pop!

This is a great shot to do toward the end of the shoot. Have the couple get really close to each other, put their hands on each other’s waist or around their neck, and smooch! Jersey did the foot pop with her right foot, which I love. An advanced level variation of this is to do the dip: dip your partner halfway and then have a dramatic kiss. This might not be the pose for everyone, but if you like a grand gesture (and I do) then this can be the perfect pose!

I’ll be honest, I wrote this in part because my partner hates posing and I wanted to have a quick page of ideas that I could glance at when we’re out and I want to get a cute shot. So, I made a one-page PDF with pictures of all the poses and I’m giving it to you, too! Click here to download the freebie couple posing guide!

And if you liked this, have a look at my website, Instagram, YouTube and Pinterest! I hope this gave you some ideas to try out on your next photoshoot, and good luck to everyone with your posing! Tag me @gdeimz on social if you post any of the ideas you try out!

West Village Photoshoot with Melissa Frusco

Inspiration, photography tips

This was a fun one! Melissa and I decided to meet by Christopher Street Station in West Village in NYC for a street style shoot. It was a bit of a moody day, but I love the foggy atmosphere it provided. Her overall outfit and look fit the vibe really well, and we had a great time shooting some portraits and street shots.

One thing I love to do on city shoots is have the model walk right in the middle of the street (while the walk sign is a go, only!). It creates beautiful lines from the street, especially if there are traffic lights and cars in the background that you can blue out a little bit with bokeh. These two shots are great examples of that! It really adds an urban vibe while still focusing on the subject.

There was also a crazy man that stopped us along the way, but honestly not too surprising in NYC, haha. I also loved the pops of yellow from the signs and taxi cabs. You can use elements like this to add to the overall visual story of the shoot. And I thought the old wine store across the street made for a great grungy backdrop to match her outfit.

If you liked these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

The Butcher’s Daughter Nolita Shoot

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I had a super fun shoot at The Butcher’s Daughter in Nolita the other day, so I thought I would share it with you! My friend Emily Kammeyer had the idea to shoot there and I’m glad she did because I’ve been wanting to shoot there for awhile. It actually started raining during our shoot, but luckily you can’t tell in the images!

One thing I love with bright colored buildings is that they just look so crisp against light outfits. Her white top and jeans ensemble made the shoot feel light and fun against the backdrop of The Butcher’s Daughter. We went to the Nolita location at 19 Kenmare Street and it wasn’t busy at all. They have adorable yellow tables (although I did have to move a table and bench away so it didn’t distract from Emily as the focus).

She had also just gotten a cheetah print bag in the mail from Burberry (!!!) and it was the perfect pop of color to match the table. We also did some shots of her walking across the street with The Butcher’s Daughter in the background to add a street style feel.

I don’t shoot black and white very often, but we snapped a few at the end that I loved! The contrast is so nice against her white shirt and the black wall. Love how these turned out, and it just goes to show that you never know what cool shots you’ll end up with when you’re free to be creative and try new things on a shoot.

If you liked these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

I JUST LAUNCHED MY PRINT STORE!

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I am ear to ear smiles today, because today is the day I have finally launched my online Etsy shop of some of my favorite photos I’ve ever taken. Here’s a GIF showing you just how excited I am:

Unsurprisingly, the shop is full of PINK and SPARKLES. I would have it no other way! I thought I’d highlight some of my favorite prints up on the shop right now (which by the way I should mention is just in time for your holiday shopping!)

This is my favorite print up right now! I shot it from the Rainbow Room in Rockefeller Center of the Empire State Building. And, you know, made it pink. Did you expect anything less from me?!

I’ll never forget this New Years Eve! I got $10 tickets to see the fireworks show in London against the backdrop of the London Eye and the river. It was an absolutely stunning way to start the new year. I actually have this print hanging up in my room right now!

This photo was taken during a studio shoot in London while I was studying at London College of Fashion. We glued candy to the model’s lips! It was such a fun day of shooting and the print turned out so cool and unique.

This actually comes as a set of two prints that go together. Because what could be better than donuts + pink + icing + lipstick + blush?! They make a really cute matching wall hanging set. There’s a ton of other fun shots from a bunch of different cities, including Paris, Sedona, New York, and the Bahamas. Have a look and see if there are any you like!

Check out the full line of prints right here!

XOXO Gaby

Victoria’s Boston Photoshoot

Inspiration, photography tips

I hadn’t seen my friend Victoria since we studied in London together a few years ago, so when I traveled to Boston this weekend to shoot a wedding, I knew we had to get together and do a shoot in Boston! We did a super fun photoshoot in London at Regents Park, so round 2 was in order!

We started at the gorgeous bridge in Boston Common and wandered from there. I was obsessed with the willow trees around the park, so I’m glad I captured them in the background of the shot. This is the lake where they do the iconic swan boating in Boston! The lighting was a little overcast, but it made for really nice even lighting for her portraits, so I shot everything natural light.

Then we stumbled onto the new carousel, and I thought it would be a great spot for some colorful shots. I tried a technique at the carousel that ended up looking really cool. I slowed down the shutter speed (also called dragging) so as it moved around, it created the blurry effect on the background. I had Victoria stand really still while I dragged the shutter so she would still be really sharp in focus. I also had a little fun with the editing, using Color Selection to make the shadows blue (one of my favorite techniques–I think it adds a really editorial effect).

Then she got out her fun rainbow umbrella and we did some colorful shots around the garden. I love any excuse to add lots of vibrant color, and I think the close up portrait of Victoria looks great with the rainbow in the background.

We ended by these old cobblestone streets and tried some movement and walking shots. I edited the first one by adding a pink gradient over the image and fading it. Something simple like a gradient can totally change the vibe of the image and make it look really unique! I hope this shoot illustrates that you don’t have to shoot for a long time or with a lot of different outfits to create images that are vibrant and different from each other. Here’s one more example of a gradient I used over a black and white shot:

Send me your street style shoots in different cities, I would love to see them! If you like these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

Top 10 Photography Questions I Get Asked

photography tips

What kind of camera should I buy? I can’t tell you what to buy, but I can tell you what I use. I’ve used Nikon and Canon gear and I prefer Canon. I love the image quality, the crispness of the images, the colors, the low light compensation. I shoot with a 5D Mark iii and Mark iv, but I honestly think any DSLR body can get you started. It’s a lot more about the experience level of the person holding the camera than the camera itself. That being said, lenses can help a lot, too. I love the 50mm and the 24-70. Start playing around and see what you like!

Why is hiring a photographer so expensive? I’m glad you asked! It’s expensive because we’re a business and we incur other costs besides just paying for the camera. Here are just a few annual costs photographers have: the Adobe Suite, computer updates, external hard drives, cloud storage, memory cards, seamless backdrops, lighting equipment, props, insurance, lenses, flashes, website yearly hosting and domain costs, accounting services, legal fees for photography contracts, workshops and classes. Not to mention the time and expertise you are paying for when you hire a photographer. A lot more goes into it than people think.

What’s the difference between an iPhone and a DSLR? Don’t get me wrong, you can take awesome pictures on your iPhone. But not quality ones. I use my phone every day to capture the city and document the world around me. But to really get quality images, I use my DSLR. There are so many more pixels and the file is so much bigger on a professional camera, so you can do more with the image. Higher quality and more options for lenses and depth of field creates more room to explore and experiment. But at the same time, start exploring with photography on your phone if you don’t want to buy a camera just yet. It’s supposed to be fun and creative!

How can I get the blurry background on my photos? That’s called Bokeh. You can learn all about it and how to get it on my article right here.

Do I need to learn manual mode on my camera? Yes! I think that Manual mode is key to understanding your camera and photography. You have a lot more room for creative expression if you are aware of the technical side of photography and can adjust it on-the-go. I learned by playing around with my camera, but a good place to start is with YouTube tutorials (or Linda.com if you have a library card!). When you know how to change the lighting, white balance, ISO, aperture and shutter speed on your own, you can be really sure you’re creating the types of images that you want. In my experience, learning more about my camera has only helped make my images more fun and creative!

Is editing photos important? I think it’s the crucial second step after shooting the image itself. To me, capturing the shot is a special art that takes practice and intuition, but editing that photo to your final vision is like sculpting the final details of an art piece. I use it to remove unnecessary elements from the shot, be it distracting spots in the background, wrinkles on a shirt, or cropping out space that doesn’t add to the focal point of the shot. Then I fix the white balance and adjust the color, usually making the shot more vibrant and punchy. The last thing I do is smooth out skin, whiten teeth, remove stray hair, and any other soft adjustments to enhance the subject. That might sound pretty simple, but it’s taken me years and years to perfect my editing style and find a balance of enhancing without overdoing.

How do you get paid to do photography? It’s a long process that won’t happen overnight. First you need to build a portfolio in the area that you want to produce work in. That might mean doing free or trade shoots with other vendors. For example, when I first moved to NYC, I produced styled shoots for wedding photography to build my portfolio. I got makeup artists, florists, and dress designers to lend me their products or skills in exchange for the photos to add to their portfolio as well. Other times I did free shoots for people to build my portfolio and gain experience. Once you feel you’re at a point where you have the knowledge and skillset to charge people, start doing it! Talk to other photographers and learn their pricing structure so you have something to base your rates off of. Increase as you become more skilled. It might take a few years, but your client base will grow as you do!

Is being a photographer hard? Yes and no. But mostly yes. It’s a career that you have to be really passionate about, and it will take a lot of work to be successful. I put in work almost every evening and weekend because I want my photography business to succeed. I reach out to potential clients and collaborators every week because I want to progress my brand. I shoot day in and day out and edit every free chance I get because I want to get better. So I guess no, on the surface being a photographer isn’t hard. But wanting to be a great photographer is. You have to put in the work to see results.

What do you use to edit photos and do you make your own presets? I do a base cull and edit in Lightroom and then I do all my final retouching in Photoshop. I generally make my own presets, but I also have some from photographers I like that I play around with on occasion. Presets are really nice when you have a lot of photos to edit at once–like a wedding for instance, but I like to mix things up for beauty and styled shoots. I find that I usually have a bit of a vision when I bring the raw photos into Lightroom, and I explore from there. Once I find a color and balance that I like, I’ll apply the preset to the batch and then go in and do adjustments per image.

How do you get the perfect shot? There’s really no perfect shot, just the right movements at the right time. I think being patient helps. For example, when I shoot concerts, I usually have an idea of the type of shot I’m looking for, and then I just wait ready to shoot when the artists is moving around stage. Framing is key for good shots, as well as being able to change the exposure in camera quickly. Being skilled at Manual mode really helps with this. Also, practice helps. As many times as I’ve gotten a really cool shot, I’ve also missed the shot because it was out of focus or overexposed (this happens with concerts a lot) or I just framed it wrong. The good news is that the more photos you take, the bigger chance you have of getting “the shot.”