9 Poses in 9 Minutes

photography tips

If you never quite sure just how to pose with your partner for a great picture, or you’re a photographer looking for posing ideas, then this is the article for you! I’ve compiled a list of my go-to poses for couples, and I have a one-page freebie at the bottom for you to keep as a helpful guide! Big thanks to my favorite couple Jersey and Luis for being my models for this project (and standing in the freezing New York City winter weather to get these shots!) Now let’s dive into these poses.

Lean Toward Each Other

Position the couple so one person’s shoulder is leaning into the other person’s chest, and have the person behind wrap their arm around and lightly grab the right arm of the first person. It helps to mention to lean their heads toward each other and getting their noses close together. This cozy pose is great for a mid shot, or a close up.

Facing Each Other

This one is an easy one. Have the two look at each other while holding hands. Can be used for a wide shot or a close up, and you can play with how close they are standing to each other. One person can also wrap their hands around the other person’s neck and lean in close for a kiss (warning: it’s adorable!!)

Facing The Camera

The classic shot shows the couple fairly close together with one person wrapping their arm around the other. You can vary the hands–hands in pockets, hands straight down, or like in this shot, Jersey had her hand by her face, tucking her hair behind her ear. Do whatever feels most natural for you.

Half Looking at the Camera

This can be a great moment. Have one person look at their partner while the other person looks at the camera. This usually results in some natural smiles and laughs, because who doesn’t get excited when they spend a few seconds taking in how lovely their partner looks?! A great variation of this can be to alternate having both partners look at each other at the same time.

The Ear Whisper

Alright, now that you are warmed up and have the basic poses down, here are a few advanced level poses! This one is a great prompt I use with couples. When a couple is already fairly close to each other, I’ll tell one partner to lean in and whisper something into the other person’s ear. It’s great for capturing a candid moment, because generally one of them will say something silly, or sweet, and the other person will break out into a huge smile or laugh. If you’re not great with posed photos, I recommend a pose like this, which can help bring out your personality and feel really natural.

Arm Around The Shoulder

Have one or both partners wrap their arm around the shoulder or waist of the other person. A few variations are to have them both look at each other, at the camera, and one person looking down candidly. You can also alternate between serious expressions and smiles.

Touching Foreheads

I love this pose so much! Why? Because look at how cute it is! It’s pretty simple too: hold hands and touch foreheads. For a more intimate moment, you can have them get close and close their eyes, too. For a more playful and fun shot, tell them to smile and laugh. Leaning in for a kiss is also an easy pose to go to from this one!

Walking

This can be another great natural moment between the two. You can walk toward the camera, hold hands while walking away from the camera, and even start walking away and then turn around and look back at the camera. I usually tell my couples to walk in “slow motion” so they’re relaxed and not rushed. In terms of eye contact, they can look forward, at each other, down and around. I usually tell them not to look directly at the camera, so the shot comes out looking a little more like a candid moment.

The Finale: Kiss and Foot Pop!

This is a great shot to do toward the end of the shoot. Have the couple get really close to each other, put their hands on each other’s waist or around their neck, and smooch! Jersey did the foot pop with her right foot, which I love. An advanced level variation of this is to do the dip: dip your partner halfway and then have a dramatic kiss. This might not be the pose for everyone, but if you like a grand gesture (and I do) then this can be the perfect pose!

I’ll be honest, I wrote this in part because my partner hates posing and I wanted to have a quick page of ideas that I could glance at when we’re out and I want to get a cute shot. So, I made a one-page PDF with pictures of all the poses and I’m giving it to you, too! Click here to download the freebie couple posing guide!

And if you liked this, have a look at my website, Instagram, YouTube and Pinterest! I hope this gave you some ideas to try out on your next photoshoot, and good luck to everyone with your posing! Tag me @gdeimz on social if you post any of the ideas you try out!

The Butcher's Daughter Nolita Shoot

Uncategorized

I had a super fun shoot at The Butcher’s Daughter in Nolita the other day, so I thought I would share it with you! My friend Emily Kammeyer had the idea to shoot there and I’m glad she did because I’ve been wanting to shoot there for awhile. It actually started raining during our shoot, but luckily you can’t tell in the images!

One thing I love with bright colored buildings is that they just look so crisp against light outfits. Her white top and jeans ensemble made the shoot feel light and fun against the backdrop of The Butcher’s Daughter. We went to the Nolita location at 19 Kenmare Street and it wasn’t busy at all. They have adorable yellow tables (although I did have to move a table and bench away so it didn’t distract from Emily as the focus).

She had also just gotten a cheetah print bag in the mail from Burberry (!!!) and it was the perfect pop of color to match the table. We also did some shots of her walking across the street with The Butcher’s Daughter in the background to add a street style feel.

I don’t shoot black and white very often, but we snapped a few at the end that I loved! The contrast is so nice against her white shirt and the black wall. Love how these turned out, and it just goes to show that you never know what cool shots you’ll end up with when you’re free to be creative and try new things on a shoot.

If you liked these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

Victoria’s Boston Photoshoot

Inspiration, photography tips

I hadn’t seen my friend Victoria since we studied in London together a few years ago, so when I traveled to Boston this weekend to shoot a wedding, I knew we had to get together and do a shoot in Boston! We did a super fun photoshoot in London at Regents Park, so round 2 was in order!

We started at the gorgeous bridge in Boston Common and wandered from there. I was obsessed with the willow trees around the park, so I’m glad I captured them in the background of the shot. This is the lake where they do the iconic swan boating in Boston! The lighting was a little overcast, but it made for really nice even lighting for her portraits, so I shot everything natural light.

Then we stumbled onto the new carousel, and I thought it would be a great spot for some colorful shots. I tried a technique at the carousel that ended up looking really cool. I slowed down the shutter speed (also called dragging) so as it moved around, it created the blurry effect on the background. I had Victoria stand really still while I dragged the shutter so she would still be really sharp in focus. I also had a little fun with the editing, using Color Selection to make the shadows blue (one of my favorite techniques–I think it adds a really editorial effect).

Then she got out her fun rainbow umbrella and we did some colorful shots around the garden. I love any excuse to add lots of vibrant color, and I think the close up portrait of Victoria looks great with the rainbow in the background.

We ended by these old cobblestone streets and tried some movement and walking shots. I edited the first one by adding a pink gradient over the image and fading it. Something simple like a gradient can totally change the vibe of the image and make it look really unique! I hope this shoot illustrates that you don’t have to shoot for a long time or with a lot of different outfits to create images that are vibrant and different from each other. Here’s one more example of a gradient I used over a black and white shot:

Send me your street style shoots in different cities, I would love to see them! If you like these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

Top 10 Photography Questions I Get Asked

photography tips

What kind of camera should I buy? I can’t tell you what to buy, but I can tell you what I use. I’ve used Nikon and Canon gear and I prefer Canon. I love the image quality, the crispness of the images, the colors, the low light compensation. I shoot with a 5D Mark iii and Mark iv, but I honestly think any DSLR body can get you started. It’s a lot more about the experience level of the person holding the camera than the camera itself. That being said, lenses can help a lot, too. I love the 50mm and the 24-70. Start playing around and see what you like!

Why is hiring a photographer so expensive? I’m glad you asked! It’s expensive because we’re a business and we incur other costs besides just paying for the camera. Here are just a few annual costs photographers have: the Adobe Suite, computer updates, external hard drives, cloud storage, memory cards, seamless backdrops, lighting equipment, props, insurance, lenses, flashes, website yearly hosting and domain costs, accounting services, legal fees for photography contracts, workshops and classes. Not to mention the time and expertise you are paying for when you hire a photographer. A lot more goes into it than people think.

What’s the difference between an iPhone and a DSLR? Don’t get me wrong, you can take awesome pictures on your iPhone. But not quality ones. I use my phone every day to capture the city and document the world around me. But to really get quality images, I use my DSLR. There are so many more pixels and the file is so much bigger on a professional camera, so you can do more with the image. Higher quality and more options for lenses and depth of field creates more room to explore and experiment. But at the same time, start exploring with photography on your phone if you don’t want to buy a camera just yet. It’s supposed to be fun and creative!

How can I get the blurry background on my photos? That’s called Bokeh. You can learn all about it and how to get it on my article right here.

Do I need to learn manual mode on my camera? Yes! I think that Manual mode is key to understanding your camera and photography. You have a lot more room for creative expression if you are aware of the technical side of photography and can adjust it on-the-go. I learned by playing around with my camera, but a good place to start is with YouTube tutorials (or Linda.com if you have a library card!). When you know how to change the lighting, white balance, ISO, aperture and shutter speed on your own, you can be really sure you’re creating the types of images that you want. In my experience, learning more about my camera has only helped make my images more fun and creative!

Is editing photos important? I think it’s the crucial second step after shooting the image itself. To me, capturing the shot is a special art that takes practice and intuition, but editing that photo to your final vision is like sculpting the final details of an art piece. I use it to remove unnecessary elements from the shot, be it distracting spots in the background, wrinkles on a shirt, or cropping out space that doesn’t add to the focal point of the shot. Then I fix the white balance and adjust the color, usually making the shot more vibrant and punchy. The last thing I do is smooth out skin, whiten teeth, remove stray hair, and any other soft adjustments to enhance the subject. That might sound pretty simple, but it’s taken me years and years to perfect my editing style and find a balance of enhancing without overdoing.

How do you get paid to do photography? It’s a long process that won’t happen overnight. First you need to build a portfolio in the area that you want to produce work in. That might mean doing free or trade shoots with other vendors. For example, when I first moved to NYC, I produced styled shoots for wedding photography to build my portfolio. I got makeup artists, florists, and dress designers to lend me their products or skills in exchange for the photos to add to their portfolio as well. Other times I did free shoots for people to build my portfolio and gain experience. Once you feel you’re at a point where you have the knowledge and skillset to charge people, start doing it! Talk to other photographers and learn their pricing structure so you have something to base your rates off of. Increase as you become more skilled. It might take a few years, but your client base will grow as you do!

Is being a photographer hard? Yes and no. But mostly yes. It’s a career that you have to be really passionate about, and it will take a lot of work to be successful. I put in work almost every evening and weekend because I want my photography business to succeed. I reach out to potential clients and collaborators every week because I want to progress my brand. I shoot day in and day out and edit every free chance I get because I want to get better. So I guess no, on the surface being a photographer isn’t hard. But wanting to be a great photographer is. You have to put in the work to see results.

What do you use to edit photos and do you make your own presets? I do a base cull and edit in Lightroom and then I do all my final retouching in Photoshop. I generally make my own presets, but I also have some from photographers I like that I play around with on occasion. Presets are really nice when you have a lot of photos to edit at once–like a wedding for instance, but I like to mix things up for beauty and styled shoots. I find that I usually have a bit of a vision when I bring the raw photos into Lightroom, and I explore from there. Once I find a color and balance that I like, I’ll apply the preset to the batch and then go in and do adjustments per image.

How do you get the perfect shot? There’s really no perfect shot, just the right movements at the right time. I think being patient helps. For example, when I shoot concerts, I usually have an idea of the type of shot I’m looking for, and then I just wait ready to shoot when the artists is moving around stage. Framing is key for good shots, as well as being able to change the exposure in camera quickly. Being skilled at Manual mode really helps with this. Also, practice helps. As many times as I’ve gotten a really cool shot, I’ve also missed the shot because it was out of focus or overexposed (this happens with concerts a lot) or I just framed it wrong. The good news is that the more photos you take, the bigger chance you have of getting “the shot.”

Seattle Summer Farm Wedding

wedding photography

Bonney and David are a fun couple from Tacoma. I was excited to use their wedding as an excuse to take a vacation to Seattle! I had fun exploring Mount Rainier and downtown, and I shot their wedding in Tacoma. Fun fact, it’s where 10 Things I Hate About You was filmed!

The morning started off really relaxed as she got ready in one of the rooms of the church, which was historic and absolutely stunning. I love this candid I captured of her putting on her jewelry before the dress, which was her mother’s wedding dress.

Once she had her dress on, it was time to do the first look! They decided to do it in between the columns of the church, which created such a timeless look. I love the layers of her dress and how cute they look together.

This was one of my favorite parts. The planner helped them go up the steps of the church to the balcony so I could snap a few shots. It reminds me of Romeo and Juliet, so elegant and timeless.

This is when the day started speeding up. We had to shoot the wedding party photos, the details, and then the ceremony! I loved the pop of color in her flowers and how adorable the flower girls looked.

The ceremony went seamlessly and then it was time to head to their friend’s farm for the stunning reception. They made their getaway in a vintage red car, which was super cute and added to the elegant theme of the wedding.

Growing up as a farm girl, I love when I get to shoot farm or outdoor weddings. This one was no exception, and I loved the rustic feel with flowers picked from the garden and wooden logs placed as decor.

My favorite part of the night is by far when we got to go into a field around sunset and do this balloon portrait shoot! Their fun loving personality really shone through during this part, and we had a blast taking photos with their dogs.

Her dogs! Too cute, right?

I pulled Bonney aside to snap a few solo shots of her, because her dress was too stunning not to. I especially loved the added touch of flowers in her hair. The lighting was absolutely perfect.

Fairy lights strung around added to the mood of the reception as the sun set. We did one last shoot of the two of them before I left them to enjoy dancing and drinks. They started a bonfire for everyone to circle around, and it made for the best silhouette shots. Overall it was a wonderful wedding in Seattle and I had a blast shooting it. I can’t wait until I get to go back and shoot another!

If you like these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

Plaza Hotel NYC Engagement Photoshoot

Inspiration

Jersey and Luis are the most adorable couple. They’re born and raised New Yorkers who run a wellness Instagram together where they coach others and help people on their fitness journey. They’re also foodies who love cooking elaborate dishes together in their Upper East Side Apartment.

I asked them if they’d want to do a quick couple shoot near The Plaza Hotel and Central Park, and it just so happened that the day we shot together was their four year wedding anniversary! It was meant to be. From the second we met, they were all laughs, high energy, and so sweet. You could tell from their infectious smiles that they’re best friends and have so much fun together.

I tried a variety of poses and angles with them on this shoot. Walking together, sitting, crossing the street, facing each other and holding hands are all great options for couple photos. In some shots, like with the walking and crossing the street, I like to add a bit of movement, so I had Jersey move her skirt so it flowed a little bit.

The Pulitzer Fountain and trees made a great backdrop and bokeh, and for some of the shots I also tried a technique where I laid on the ground and angled up so The Plaza was directly behind them. As always, we had the best time shooting and I can’t wait to collaborate more with them. We’re planning a fitness shoot for them soon, so keep an eye out for that.

What are your favorite poses for engagement shoots? Also, are there any places in NYC that I just have to shoot at?! Drop a comment below with your thoughts and tell me what you think! And check out my favorites from our shoot at The Plaza below:

If you like these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

The Color Factory NYC Photoshoot

Inspiration, photography tips

My friend Cameisha modeled for The Color Factory for their opening last year, so she asked me if I wanted to go back and take some fun fashion shots! I knew that the pop up was filled with dozens of colorfully painted rooms with awesome activities, so I was super excited to explore with her and shoot some photos.

One of the first rooms we walked in was bright ombre red and orange. There are all these balloons that are blowing around with words and phrases on them (my favorite was “a lot of pizza”). We had fun trying to make the balloons stay still long enough for a quick photo.

Another cool thing about The Color Factory is that all the walls have stripes, rainbows, and colors galore! Literally every hallway, door, room, and corner are covered with colors, murals, and art pieces. It makes the entire experience a prime spot for all photo taking. Of course we had to do a quick outfit change with her fun sequin pants to match the vibrant walls.

My personal favorite room is the Disco room! It’s covered in sequins, a dance floor, neon, and is blasting with music. You feel like you’re in a nightclub of color. Cameisha’s black feather coat and neon pink bodysuit made for the perfect combination.

We went a little crazy and even had Cameisha lay on the disco lit floor for a few shots. People did stare, just a little bit. That’s the only downside of shooting in a public place–you have to be okay causing a bit of a scene. Fashion shoots in public are not for the faint of heart!

The last room is definitely the best–a massive blue ball pit filled with literally thousands of balls to jump in, play with, and of course, take photos with. To get this shot, I had to dive in with her so I could shoot from a little bit of an overhead angle. I highly recommend flash for these types of pictures, because lighting was a little dark. The last thing is to be patient, because there were a lot of people also playing in the ball pit, and the last thing you want in a fashion shot is random strangers in the background.

Overall, we had a blast, and I highly recommend you check out The Color Factory, or maybe The Pint Shop, or the newest pop-up in NYC, Pixinity. Pop-ups are a such a fun way to take unique photos and get creative!

If you like these photos, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

Best Graffiti Walls in NYC to Photograph

Inspiration, photography tips

When my cousin asked me if I’d shoot some fun engagement photos for her and her fiancee, I was immediately excited. They’re a super fun couple who hate the traditional cheesy engagement shots, so I knew our shoot would be fun and totally out of the box–something I’m always down to try with photography.

We immediately started scouring Instagram for the best spots in NYC with the coolest graffiti. I’d walked by a lot of cool spots in passing, but I had never really put together a definitive list on the best spots to keep track of. So, after we ran around shooting all day–and I do mean the entire day–we had tons of good spots that I would recommend for you guys to try if you’re looking for good shooting spots. Here they are:

  1. Freeman Alley

This spot was perfect for them because they don’t love having to take pictures while an audience of people watches. Freeman Alley is pretty hard to find if you don’t know that it’s there, so there’s never a ton of people hanging around, which makes pictures easier. The graffiti in the alley is always changing, but theres a diverse selection to choose from. Also, while you’re there, grabbing a bite at Freeman’s is never a bad idea!

2. Houston Bowery Mural

This is one of the more known spots downtown, but that doesn’t make it any less photogenic! The mural gets changed every few months, so there’s always something new to shoot with. Queen Andrea is the most recent artists selected to decorate the wall, and it’s filled with vibrant colors and a massive “Believe” script over the top. It’s massive, so you’ll have plenty of room to get your shots for The ‘Gram. Just be careful though, because it’s right next to the busy street.

3. NOMO SOHO Graffiti Wall

We saw this wall in our inspiration pics, but didn’t know exactly where it was, so it was a huge surprise as we were strolling down Crosby Street and came across this piece and the ivy archway. It’s definitely a great spot for pictures, and the pastel tones on the brick come across beautifully in camera. Just note that this is an entrance to a hotel, so people will probably be walking back and forth, but don’t let that stop you from getting your shot!

4. Dumbo Love Wall

I told you we went everywhere–we even made it to Brooklyn before the sun set! If you’ve walked around NYC, chances are you’ve probably seen some heart murals. Those belong to JGoldcrown, a British graffiti artist based in NY and LA. We shot at the Dumbo one, but he has murals up in Freeman Alley, Mott Street, St. Marks, and Williamsburg. This is such an iconic NYC graffiti stop, and I think it’s a must for your graffiti photo list.

5. Wandering!

My last tip for you: wander around. Here’s just a few other places we went that ended up having super cool or cute graffiti. The coolest part about NYC is that it’s constantly changing, and a piece you love might be replaced next week with a totally new one. Definitely pick out your spots, but make sure you plan in some time to wander around and see what you can find in the city. If you do happen to stumble onto some great spots, let me know and I’ll add them to the list!

Special thanks to A and Ty for such a fun day in NYC and trusting me with their pictures. And if you like these, make sure to have a look at my website and follow me on Instagram! Feel free to drop me an email at gdeimz@gmail.com for any shoot requests, questions, or just to chat! If you’re in the NYC area, let’s grab coffee and talk lenses and shoot locations 🙂

I Like Photography Because It’s Perfection

Inspiration

In a boundless world full of life and people and action and movement happening in an endless constant every instant, my task feels simple: fill a 2 x 3 rectangular frame, and capture. It’s entirely my choice what to fill it with, and the possibilities are delightfully endless. You can add–or subtract–anything your heart desires. Color. Contrast. Intense, sharp drama. Sparkle. Beauty. Excitement. Sweet, nuanced emotion.

When you’re holding the camera, you’re in charge, which means you have complete control of the orthogonally shaped box where 22.3 Megapixels will be swiftly preserved in multitudinous quantities. I painstakingly pick what’s special and what sits inside my picture. I create the rules. I choose the light, the tone, the angles and the presence or absence of any and all form. Then, later, I alter and meddle until it’s exactly what I want, until it’s precisely how I envisioned it in my head. It can be an exhaustive undertaking.

I’ve done it for so long that it’s now familiar on an instinctual level; I know how I prefer the smallest details in minute ways I could never verbally convey. It’s ambling into a room and surveying the light like it’s a tangible object. It’s immediate, automatic previsualization for composition and the slight, specific angles I hold the camera, in a manner that doesn’t even always make sense to me–but sometimes you just know, and it just feels right. It’s the way I can work my Canon with my eyes closed (and, once, inebriated, but I’ll save that story for later).

I drag the bundle of pixels into Photoshop and begin my surgery. Observe the mess and mayhem. Begin work. Spot remove the imperfections. Adjust the color balance, smooth things out. Scrutinize. Carve out the important pieces; let the rest melt away. Make it clean. Precise. Intentional.

I find an absolute perfectness in the chaos of it all: the way the human face and figure will never be exactly symmetrical. How ordinary light can create enchanting and extraordinary photographs. The way nothing can be replicated ever again. The feeling you get when all the elements come together faultlessly and are captured exactly as you envisioned.

The odds of getting a flawless, immaculate shot are almost none, and yet I still wake up every day in search of another, no matter how elusive. It’s an art form of creation not quite like anything else, and it’s become a part of who I am. And for a girl in a constant strive for perfection, sometimes, during brief moments of magic, she achieves it, and contained within the lines, according to her, is something beautiful. Something perfect.

Success Tips For Emerging Creatives

Inspiration, photography tips

I know what you’re thinking: here we go, another one of those vague articles about how to be successful that doesn’t actually explain anything at all, except ending with some inspirational quote like, “the world is yours, so get out there and do something!” They’re kind of inspiring, but also never really say what you’re actually supposed to do. Well, this week is my one year anniversary of being a college graduate, and so far the real world has taught me a lot more about failure than success. So I thought I’d write about what I’ve learned thus far, in hopes that other young creatives might find it helpful.

Stop Comparing Yourself. First of all, in creative careers especially, your definition of success will most likely be wildly different from someone else’s, even in the same field. As a creative, you can’t compare yourself to other people. My graphic designer and illustrator friends are amazing, but they do a totally different job than me, a photographer. You should appreciate the value of the other people in your team, but you do a highly specialized and individualized job, too, and that’s worth a lot. And just because you have less experience doesn’t mean you’re any less of a professional. That’s something I had to learn to accept. When I’m bidding jobs against other photographers who have ten or twenty years more experience than me, I have to be confident in my craft (that, or fake it ’til you make it).

Identify What You’re Trying to Achieve. As a freelancer first starting out, it can be especially difficult and confusing to determine where to even begin. Should you make connections? Advertise yourself? Do a few free jobs to get your name out there? The most important thing you need to do is figure out what you’re trying to achieve. What’s your end goal? Analyze your objectives and determine what quantifiable steps you can take to move toward them.

For me right now, as an emerging photographer, success means networking, making connections, promoting myself and getting new opportunities. Once you have that outlined, you can make an action plan. Sometimes small steps make the biggest difference. For example, to get my name out there, I made some flyers of my images and my Instagram username and posted them in areas around London that I knew models and makeup artists would see them. It took an hour of my time, and around $15 to get color prints, and I’m still getting emails from designers to shoot their lookbooks and new collections.

Say Yes, and Keep Saying Yes. Since I’ve been in London, I made a little deal with myself. I agreed that I would accept all the shoots that I’m offered, even if it’s not my specific niche of fashion portraiture. In the past few months, I have shot concerts, a designer handbag collection, street style for a fashion blogger, red carpet events, and even the London Fashion Week runway. It totally pushed me out of my comfort zone, and every single one of those shoots taught me something new. 

My point is this: while new opportunities can be terrifying, they are are important, if not crucial to expanding your knowledge and skill set. Those shoots made me think outside the box and determine creative solutions that I had never dealt with before. Besides cultivating a deeper understanding of your craft, those kinds of skills will be useful in any potential future job. That’s why I think it’s highly important to say yes, even if that particular job isn’t specifically part of your end goal.

Put In the Work, and Work Hard. This one might seem obvious, but from observing my peers in the industry, I think it’s a pretty underrated and necessary step. You have to put in the work. You will have long shoot days and late nights editing. You’ll have to carry a reflector and sometimes get coffee for people, but it’s not for nothing. It’s propelling you closer to that end goal, even if you can’t see it just yet. For example, I assisted for a photographer in London on a one-day shoot, and it wasn’t a big deal, but I made sure to be as helpful and cheerful as possible on set. A few months later, he came back to London to do a cover shoot with a big magazine, and he asked me to assist again. Because of that, I met the entire creative team of that magazine and was able to make connections with them.

Every opportunity leads to another one, if you let it. You just have to be paying attention. You can have all the talent in the world, but if you aren’t putting effort into actively promoting yourself and trying to get clients and make contacts, they won’t come to you. You have to go to them. You have to be a little pushy sometimes. Make calls to agencies, send a lot of emails, and accept that you’re going to get a lot of rejection replies. They will still sting a little, but it hurts less each time. Send more.

So, while I can’t tell you that adding all the editors of Vogue on LinkedIn will be a guaranteed way for you to make new connections in the fashion industry, I can tell you from personal experience that if you try these tips, you will be pushing yourself and making tangible strides toward the success you want to achieve. And the most rewarding part is that you’ll meet some really talented and likeminded people along the way.